Month: May 2012

Student Debt Headlines and the Humanities Degree

~ devo3000

The New York Times and the Chronicle have mounted a one-two this week to publicize the problem of student debt (something I’ve posted on previously here and here and here).  In an extensive front-page story from Sunday, the Times lays out the problem from the perspective of undergraduates, and the Chronicle followed up today with an analysis of graduate recipients, particularly Ph.D.s working as adjunct faculty, that need welfare and other public-service benefits to make ends meet.  Both provide extensive analysis; the Times piece in particular leverages an extraordinary amount of statistical support.

The implications of the problem are broad, now that more than half of graduating seniors are going to college.  If college is fast becoming a prerequisite of stable middle-class employment, it seems clear we need policies that provide education without burying the students under a lifetime of debt.  I was fortunate enough to attend a state school on scholarship; many of my colleagues won’t finish paying off their educational loans for a decade or two.

One place where the Times piece suffers is in its analysis of the sources of the problem.   Continue reading →

Teaching with Omeka: Presenting the Peries Project

~ devo3000

Yesterday the seminar I’ve been teaching at Penn finished their digital project: an online edition of John Leyden’s “Tales of the Peries,” a handwritten manuscript in the archives of the National Library of Scotland. Leyden was a romantic poet as well as close collaborator of Walter Scott’s, before traveling to Southeast Asia as a functionary of the East India Company. Once there, Leyden established himself as an Orientalist and specialist in Asian languages, and the Tales of the Peries is an example from this fruitful period before his early death in 1811.

As part of a larger class on historical fiction, fantasy, and the influence of empire, my students built an Omeka site that includes digital facsimiles of the manuscript, transcriptions using Scripto, a plugin for Omeka, and a “readerly edition” that incorporates their research into editorial practices and critical editions and links to supporting materials and entries in the Omeka collection and on the wiki. In addition, they built a host of supporting materials for the site, from critical evaluations of the Tales, its verse, and the influence of Urdu and Arabic literature, to information about Leyden, his involvement with the EIC, even an animated Flash map that walks the reader through the geography of the tale and details the main transformations of Melech Mahommed, the main character, over the course of the narrative.

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The David Livingstone Spectral Imaging Project, I Presume?

~ devo3000


Yes, groan. But I spent this morning looking through the beautiful online collection produced by the David Livingstone Spectral Imaging Project. Livingstone’s 1871 field diary, from the months leading up to his ‘discovery’ by Morton Stanley, was written in a berry-based natural ink across the pages of newsprint, and has faded to near invisibility. Using spectral imaging (which images at distinct spectra and then recombines them), the team has managed to reveal the journal entries and strip out the original newsprint. The results are simply amazing — it reminds me of looking at Hubble images of distant nebula. Gorgeous, strange, new. In addition the the extensive documentation and supporting bibliographic and historical materials, the snazzy interface, which allows you to coordinate scrolling across the color and spectral facsimiles (as in the above image), is just stunning.

On the one hand, it’s a case of an extraordinary archival find (Adrian Wisnicki and Anne Martin’s recovery and reassembly of the often uncatalogued portions of the journal across several distinct accessions at the David Livingstone Center) combined with an ideal technology (the Archimedes Palimsest team brought their expertise to bear). But when you look at the extensive documentation provided, it’s also a window into the extraordinary challenge of producing collaborative, trans-Atlantic research in the digital humanities.
Continue reading →